Female humanities students are locked out of digital skills training, and women's testimonies of conflict are going undocumented. This project tackles both at once.
Women remain a small minority of ICT specialists and students across Southern Europe and the Western Balkans. Evidence shows this is a confidence gap, not a competence gap — most acute in non-STEM disciplines where digital skills training is largely absent from the curriculum.
Universities across the partner countries lack a validated pedagogical model that integrates immersive media into humanities curricula in a way that is gender-sensitive, ethically grounded, and measurable.
Partners in Greece, Serbia and Cyprus work in or near regions with living memory of conflict and displacement. The testimonies of affected women are systematically underrepresented in the digital cultural record.
Before teaching begins, we study where digital confidence actually stands for humanities students across Cyprus, Norway, Greece and Serbia.
Oral history methodology, psychological preparation, VR/360° production and digital archiving, brought together and tested before it reaches a classroom.
A hands-on training event in Athens prepares facilitators from all four countries to run the curriculum with their own students.
The curriculum runs in parallel across all four countries, with each cohort going on to record real testimonies from local women affected by conflict and displacement.
The VR application that will host the finished archive, built and tested in stages — from early prototype to a free, public release.
Findings are published openly, alongside public exhibitions in every partner country and a closing event in Cyprus.
VR production, oral history methodology and gender equity initiatives all exist separately in European higher education. HerStory in VR is the first to combine them: a student does not learn VR production as an abstract skill, then separately study oral history — she gains digital production competence by giving permanent voice to a woman whose story would otherwise go unrecorded. The educational output and the cultural output are the same object.